On Pick (UK free-to-air channel 11), they often repeat sci-fi shows.
I recently finished watching the full run of Babylon 5. And I’ve
got to say, I thought it was pretty damned good. Despite being old
enough to have once owned a walkman that only had three buttons (if
you wanted to rewind you had to flip the cassette over and fast
forward, then flip it back), I’d never seen Babylon 5 before, and
it was interesting to see it a couple of decades after it aired.
Naturally, major spoilers abound in this discussion/review of the
whole show.
Unlike most, maybe all, preceding sci-fi series, Babylon 5 was
characterised by long-term story arcs and character development.
Beginning with Jeffrey Sinclair (played by Michael O’Hare in series
one, he had to leave due to sadly suffering from serious
psychological problems) and then John Sheridan (Bruce Boxleitner) the
show followed the leader and crew of the space station Babylon 5 as
it sought to be a meeting place for alien races and thereby foster
peace.
Besides the senior staff (second-in-command Ivanova, security chief
Garibaldi, Dr. Franklin), show regulars include the ambassadors of
various races: Delenn, the wise Minbari representative; Londo, the
dissatisfied Centauri who dreams of the glorious past; G’Kar, the
Narn who (initially) delights in tweaking Londo’s nose; and the
mysterious Kosh, the ambassador of the highly advanced Vorlons who
never gives a straight answer to anything.
Over the first four series (of five) we see the preamble to and then
break out of galactic scale warfare, with the lesser races being
unwitting pawns in a proxy war of ultra-advanced races. This
coincides with, and is related to, coups occurring on both Centauri
Prime (where the emperor gets replaced with a Caligula-style
lunatic), and Earth (where the president is replaced with a tyrant
fond of secret police).
A feature of the show is the smart writing. One exchange early on,
between Ivanova and Dr. Franklin, was very sharp. The doctor is
forcing his colleagues to eat more healthily. Ivanova doesn’t want
to gain weight and complains about becoming part of the
ever-expanding Russian frontier, to which Dr. Franklin replies: “But
you have such lovely borders.”
The writing quality isn’t limited to the comedy, which is present
but to a lesser extent than, say, Stargate: SG-1 (rightly so, given
the varying tone of the shows). There’s a fantastic scene in which
Sheridan confronts Kosh, begging for help because the war’s going
badly and his own government wants him dead, whilst Kosh led Sheridan
into the war but appears to be doing little to help. What’s great
is that the scene works perfectly in itself, but a short time later
the meaning of it is turned on its head as both Sheridan and the
audience realise that Kosh’s actions and words did not mean what we
thought at the time, with tragic consequences. “You do not
understand. But you will.”
The usurper who becomes Earth’s president institutes the Night
Watch, a sort of delator/informant network. There’s a chilling line
(“sedition comes in small packets as well as large ones”) when
Zack Allan, a good guy who finds himself walking down a dark road,
questions whether inconsequential things (people saying they dislike
the president) really need to be reported. It’s the type of
telling, and disturbing, political realism that helps make Babylon 5
great.
Walter Koenig, best known as Chekhov in Star Trek, recurs as the Psi
Corps’ determined, self-interested and morally questionable Bester.
Must admit he was a favourite mine, being dodgy as hell but smart
too, so it was never quite clear whether he or the Babylon 5 staff,
with whom he had a fractious relationship at best, would end up
ahead. He also got to star in one episode which revolved around him
and the Psi Corps, rather than the space station, and it helped give
a new perspective to things.
Babylon 5 was one of (perhaps the) first sci-fi series to use CGI
rather than models. Not unlike the videogame Vagrant Story (a pioneer
of 3-D rather than pre-rendered backgrounds) this has led to the
earlier series in particular sometimes looking rather dated. Later
series and the specials, naturally, look a lot better.
A particularly strong episode was Intersections in Real Time, a late
series 4 episode that is almost entirely devoted to scenes between
Sheridan and his authoritarian interrogator, seeking to break
Sheridan down and force or persuade him to confess. For his own good,
you understand. It has 1984 vibes, and really works well laying down
the hopelessness of the situation (and there’s a nice twist at the
end too).
The
fifth series is probably the weakest, but there is a good excuse for
that. The show was meant to end after the fourth (which can be seen
by the ending of that series), only to unexpectedly return with most
of the long-running story arcs concluded. That said, the 18th
episode in particular is very good, in which the new war comes to a
climax.
There was always a certain feeling of inevitable failure or doom
about Babylon 5. Even in success. Sheridan wins the war but has his
life expectancy severely curtailed. Londo becomes emperor, and finds
himself little more than a slave. Ivanova is saved, but struggles to
move on from the guilt.
Victory tinged with sadness, triumphalism curbed by the price paid,
and the certain knowledge there’s more struggle to come in the
future brings bitter sweet realism, and is, perhaps, why Babylon 5 at
its best is fantastic.
Thaddeus
A nice breakdown of the series, Thaddeus.
ReplyDeleteBabylon 5 has been my favourite (and best) Sci Fi experience to date.
Cheers :)
DeleteIt does stand the test of time. Reminds me a little of I, Claudius. The effects may be a little ropey, but the story and characters are there.